Show Review: Infected Mushroom at Vulcan Gas Company January 21, 2016

Thursday night offered a lot of firsts for me: it was my first time clubbing in Austin, first time seeing Infected Mushroom, and first time at the Vulcan Gas Company, one of the few venues here that gets big name EDM acts.

IMG_1325I’ve never listened much to Infected Mushroom, although I’ve heard their tracks here and there over the years. One of the few things I did know about them before the show was how unpredictable their music is, running over genre boundaries like a tank over barbed wire. This promised an interesting show, even if it’s not what I normally listen to. I also couldn’t pass up the opportunity to see them after hearing my friend Jon talk about the transcendental moment he experienced when he discovered them in middle school on the first episode of The EDMist Podcast.

The Venue

IMG_1341I was impressed with Vulcan Gas Company. Size-wise, it’s somewhere between a large bar (they all seem to be huge in Texas!) or a medium-large club. (San Franciscans can think of Public Works as the closest analog for a venue, but without the underground feel.) Vulcan is located on “dirty” Sixth Street in downtown Austin, stuck right into the heart of the seemingly endless row of college bars. This makes it highly accessible, especially because Sixth street is closed to vehicle traffic on weekend nights so you don’t have to fight with traffic to get there. I thought the online ticket price of $15 was a good deal, although the $30 price at the door seemed steep to me. Drinks were also reasonable ($5.50 for a gin and tonic), if a little dry. There are two bars in the venue, at which I had no trouble getting a drink. The industrial chic decor meshes well with the building’s exposed brick walls. Glowing columns of lights adorn the walls; I couldn’t decide if they were cheesy or cool. Finally, there is access to a rooftop deck where you can go for a smoke break (for those who partake) or a cooldown from the dance floor, which is definitely a sweet perk of this venue.

The vibe on this particular night was very relaxed, although since it was my first time I can’t be sure if it reflected the vibe of the club, the Austin scene, or the particular fanbase. (Infected Mushroom have been around for a long time and appeal to a crowd beyond the EDM-heads your “typical” dance music duo might draw.) I saw zero aggression for floor space, and there was always plenty of room to maneuver despite a fairly packed dance floor. People upstairs were even allowed to spin hula hoops and glowing poi. (This seemed like an accident waiting to happen but, hey, I don’t run the place.)

The Show

IMG_1306The opening DJ (whose name I didn’t catch) played an eclectic mix of trip hop and engaged the crowd with his own fervent dancing. He was followed up by Ram-Z, who served up the typical palate-cleansing pre-headliner house set that people nevertheless seemed to dig.

While Infected Mushroom are known for their wild stage setup, their performance on Thursday was only a DJ set. The Israeli duo came on at 12:15 to cheers, bringing their signature, genre-spanning sound with them. Early on they lit things up with the Zedd-esque riff of “Bass Nipple” before promising a psytrance set, which is of course the sound that they are best known for. While there was certainly plenty of it throughout the night, I heard influences as disparate as trance, hardstyle, dubstep, and electro mixed (or, rather, smashed) in as well. It was an energetic set whose driving beat switched tempos rapidly throughout the show. The fast pace of the changes kept things fresh and interesting, if a little unsettling. The energy really picked up about an hour after the set began, when the veteran DJs dropped the RIOT remixes of their own tracks “Kipod” and “Fields of Grey.” Both tracks brought the room down with their ferocious dubstep beats. See for yourself in the following video.

IMG_1316While I didn’t personally connect with the set, the crowd was clearly eating it up and I was able to feed off of their positive energy and have a good time. I would probably pass on seeing their DJ set again, but as a big fan of stage shows, I’d definitely give their live show a shot next time it comes around.

The EDMist Has a New HQ – in Austin, TX!

Austin calling. © J.T. Fales

Austin calling. © J.T. Fales

When I started The EDMist blog almost a year ago, I set out to cover the national dance music scene with a specific focus on the San Francisco community. The Bay Area EDM scene is one of the most vibrant in the country, and has an outsize national influence (SF only ranks 13th in the nation by population at 800,000 people but is one of the top tastemakers and creative centers for dance music today). I felt privileged to be a part of it and I wanted to create something that invited others to share in the special, diverse, welcoming vibe of that community while discovering new music, artists, and subgenres that reflect exciting new developments across the country.

Last month, I moved to Austin, TX. As the sole contributor to The EDMist, that means that the site’s focus will move with me. From now on, I will no longer be covering shows and gatherings in San Francisco, and will instead focus on the community and scene here in Austin.

Austin has a lot to offer. It can be described in very similar terms to San Francisco: It is a youngish, smallish city (founded 1835; population 900,000). As a progressive stronghold, it fiercely embraces its diversity and uniqueness. It is a booming tech hub with a young, tech-oriented, and increasingly wealthy population (earning it the nickname “Silicon Hills”). And it has a rich musical history with a staggering number of music venues.

The Austin Boardwalk. © J.T. Fales

The Austin Boardwalk. © J.T. Fales

Yet it offers many contrasts with San Francisco too. After just a month here, it’s clear to me that the EDM scene is not as expansive or developed as it is in SF. There are only a couple of venues that consistently book EDM acts. And Austin’s disposition towards live music (it is known as the “Live Music Capital of the World”) means that electronic music is more of a niche here and less of a movement.

I see these realities less as a sign of a weak scene than as an indication of the potential for explosive growth. People are pouring into Austin for the jobs and prime real estate available here, and with that influx of people is likely to come a horde of electronic music fans from cities all around the country (and beyond!). I want The EDMist to be a resource for them and a tool for helping bring together and expand the EDM community here.

All of that being said, I won’t be abandoning SF completely. Because I think the scene in San Francisco is so special and worth paying attention to (and because so much of my network is there!) I will definitely be more aware of what’s happening in SF and it will likely still play a large role in this new chapter of The EDMist blog and podcast. I just won’t be able to cover it from a first-person perspective.

Going forward, you can expect reviews of shows, events, and festivals in and around Austin (notably, South by Southwest and Austin City Limits) – starting this week! And as I have for the last year, I will continue to post music reviews, recommendations, and other stories that are not specific to Austin or any other city. The EDMist is aimed at a broad audience and I hope you can enjoy what I post here no matter where you live.

Thanks for reading the blog and for sticking with me on my journey. Be sure to follow me on Snapchat, Twitter, Facebook, and Instagram for the most recent updates and recommendations from the blog and podcast.

Goodbye, San Francisco. © J.T. Fales

Goodbye, San Francisco. © J.T. Fales

The EDM Dictionary: Artist Album (n.)

Definition

The phrase “artist album” refers to an LP showcasing original work by an artist or group. This term is used to differentiate in cases where the artist has released albums that do not primarily feature their own work, such as compilation albums that include multiple artists on one record.

Description

While in other genres the phrase artist album would be redundant, in the dance music world it is useful because many producers (i.e. artists) are are also DJs who build their reputations by playing other people‘s music. DJs sometimes gain notoriety by releasing compilation albums that they have curated and mixed, which are credited under their name, even if the album does not feature any music produced by the DJ. (Just as editors are credited for compiling anthologies regardless of whether the editor’s written work appears within the book’s pages, compilation albums are credited to the person or people who curated and/or mixed the collection.)

Example

Consider for example the the Anjunabeats Volumes series of compilation albums, which showcase the work of artists on the Anjunabeats label. The albums are compiled and mixed by Above & Beyond, who therefore receive credit for the album, even though the albums typically only feature a handful of songs contributed by the group. Above & Beyond have released several artist albums, including Tri-State, Group Therapyand We Are All We Need.

Episode 3 of the EDMist Podcast Now Available

In Episode 3 of the EDMist Podcast, I talk with music critic Matt Bessey about the big stories of 2015. We discuss how Jack Ü, aka Skrillex and Diplo, reshaped the musical scene this year, and tackle the controversy surrounding their mega successful collab with Justin BieberWhere are U Now?” I ask Matt about the breakout artists of 2015, which he says include Lane 8 and Madeon (but you already knew that) , and he names a drum and bass album of the year: City of Gold by the PrototypesTowards the end we tackle the question of what genres will blow up in 2016 and where we see the EDM scene headed (hint: more diversity, which is a good thing).

This episode includes seven featured songs. They are:

1. “Blue Sky Action (Logistics Remix)” – Above & Beyond
2. “Beats Knockin” (feat. Fly Boi Keno) – Jack Ü
3. “Get Free/Cinema VIP” – Skrillex & Diplo
4. “Ok” – Madeon
5. “Urban Monks” – Jayeson Andel
6. “Slip Away” – The Prototypes
7. “Do You?” – TroyBoi

We recorded over an hour and a half of audio for this episode, which I whittled down to 34 minutes in the final cut. That means that people who follow The EDMist on Soundcloud may find some exclusive bonus content from the episode over the coming days. 😉

Let me know what you think of the podcast! Give us a shoutout on Twitter at @theEDMist or Snapchat at “theEDMist.”

Happy 2016!